After telling the store of the kid and the fountain, I started thinking about Nannie a lot, as it was her apartment I was living in that summer. This piece is a writing exercise I did in college in which we were asked to describe our muses. I chose Nannie and a recollection of a specific night down the shore one summer.
Il Mio Muse
My muse is a small old Italian woman. She definitely didn’t go to college, she might not have even finished high school. She doesn’t read anything aside from the weekly tabloids her sister buys. She doesn’t write much, just lists to herself, lotto numbers, phone numbers, names. Scraps of paper with her tight, left-handed scrawl scratched on the surface in thin black pen are stuffed in every drawer and piled haphazardly on the endtables and counters.
She has jet black hair in tight curls, which are dyed and set at the salon every week. She’s not really around during the day, she’s usually down in Atlantic City, shuffling from casino to casino, her keyring heavy with comp cards.
At night, in her standard issue black skirt, red sweater, black pantyhose, she sits on the couch watching the TV, mostly game shows, and dozing. Every once in awhile she will look at me. We are the only ones awake; insomniacs stick together.
“Whatcha doin that for?” she asks, in a voice that is not unkind, just afraid of what she does not know.
“Writing a poem,” I say simply.
She sniffs derisively.
“What, you gonna write a book someday?”
“Yep,” I say, sprawled on my stomach, not looking up from my notebook. “How about I dedicate it to you?”
She sniffs again, still derisive. I glance at her, her eyes are smiling